This book is framed by Frankl's account of his time life during the Holocaust; it is from these experiences he formed the conclusions for not only determining meaning, but determining how and why we continue to live each day, even under the almost certain promise of death, as he and countless others have experienced. His answers to man's search for meaning apply regardless of the outside circumstances, and his time in the camps gives his theories a stripped-down, no nonsense approach to the existential vacuum, as he calls it.
I'm not the most well-versed in mysteries or thrillers, but this one I was reading every chance I got, just to get a little bit further down the rabbit hole. Abbott manages to draw you into the web deeper and deeper, creating both a seriously addictive book and a raw, honest picture of what sacrifice and struggle a family experiences in high level gymnastics. It's dark, it's a bit twisted, it's chilling. Check it out even if you're straying from more familiar genres.
Look at the beautiful cover art on this one!! This clever, fun book presents a fresh take on magic, while retaining the same feel of classic fairy tales. The way Barnhill uses magic within this book, its limits, its applications, its dangers, is inventive and intriguing. As well, the book plays with the idea of questioning who is in charge and why, and what to do when they really shouldn't be. The book is divided into fairly short chapters, and interspersed through with short, bedtime stories that fill in plot points without getting too exposition heavy. It's insanely readable, at times harsh and realistic and at others touching, and sweet. Good for all ages!
Zadie Smith’s Swing Time is a story made of an intricate collection of recollections. The narrator takes you through her history, her childhood and her relationship with her magnetic friend Tracey parallel with interludes on the history of dance. The stories highs and lows take you alternatively through the narrator’s childhood and youth in England and work in Africa, all while Tracey moves in and out of her thoughts, in and out of her life, like a ghost. This history of dance winds its way through this book and lends itself well to the complexities of race and identity (and the associated power and politics that go hand in hand) that make up the meat of the book. Readable yet provoking.
This book is just super; it gives quick history lessons, it's funny, it's good for broken hearts, and those happily coupled up. Each chapter is devoted to a famous breakup and a cheeky sentence describing its best applications; for instance, there's a Henry VIII chapter, for obvious reasons, for those who keep making the same mistakes. While Ol' Henry VIII and his penchant for beheadings is one of the more famous breakups, there are many that are both less infamous and more gnarly. A seriously funny book that manages to be informative and memorable.
Leslie Kaminoff's handbook of common yoga poses are gorgeously illustrated and dissected, showing major muscles targeted by each pose. The posing and 'dissected' view really set this book apart. I love that this book can give you both a guide on basic anatomy relating to poses as well as why the pose feels the way it does; each page focuses on a pose, sometimes showing a variation or two, and a brief description of the muscle groups contract and relax to accommodate the postures. Even if you're not a yoga person, flip through this book and check out some seriously cool, unique illustrations.
This slim little novel is, among other things, a ghost story. It's also a book described as 'unsettling', a perfect choice of words. This is not a haunting story, nor a horror story; it's an uncanny book, a ghost story that's really about poor family living in a partially constructed luxury high rise.This book hooks deeply into something primal inside you. Not your heart, more like the ancient part of the brain keyed into danger and fear. It's beautiful, sad, and vivid. Aira packs an impossible amount of meaning in each word.
What?? A picture book without picture? How and why? This book forgoes illustrations in favor of text that the adult must read, no matter how demeaning or silly or hilarious. A seriously fun book made to be read together. Flip through it with your little one and get ready to laugh.
Bone People is a work of realism, veering into magical realism in just the right amounts. Think New Zealand's version of Gabriel Garcia Marquez, but sadder and colder.This book strikes a lot of emotional notes and yet never veers into saccharine (possibly because of the realism in detailing the day to day life of impoverished Maori). Following an intentional hermit who befriends a mute orphan and his adoptive father as the three negotiate happiness as unhappy people. Together, they make a trio, not quite a family, not quite friends. Follow them and get a glimpse into Maori culture and traditions, watch them reconciling their own traumas and pains with this new connection.
The mad scientists as an archetype has never been as disquieting as Dr. Victor Hoppe, geneticist and religious zealot, obsessed with Christ's suffering. He returns to his hometown with three sons and slowly the strangeness escalates. With a retired schoolteacher, fielding Victor's bizarre requests as the primary witness to the inner workings of father and sons. The plot twists and turns through the evolution of Dr. Hoppe and his work, seeing in glimpses how and where and why, but never knowing what's coming next. Disturbing, suspenseful, some might say blasphemous.
We tend to think picture books are something we graduate out of reading once we've gained reasonable abilites to string letters into sense in our minds. This book however, is for anyone who has ever felt lonely. This beautiful story is made further beautiful with its delicate, masterful illustrations.Try not to smile at its end.
Maybe you're reading this in hopes of learning what this book is about. Don't you hate when there's no blurb on the back?? I've got you. This book follows two families affected by market bombings in India. Mahajan, page by page, shows how the pain and trauma of the past reverberates and shapes our futures. Over time, we get a full picture made up of varying points of view; glimpses from both families, from well-meaning do-gooders, and from the bomb makers themselves, come together into a nuanced elegy for the forgotten victims of lesser acts of terror. Ultimately, this book is an honest, naked portrayal of loss and the emptiness that follows.
What's a poor little fish to do in the big bad ocean? Crack this one open and find out! If a kiddo in your life is the shortest kid around like I was, you won't want to miss this one. This is a seriously cool, beautifully illustrated picture book that really makes its point.
Set in a post-disaster, plague-riddled world, we watch the events of this book primarily through the eyes of Melanie, a brilliant and pragmatic young girl. She is one of a few children partially immune to the plague devastating the Earth, being studied in hopes of finding a cure. As happens in a power vacuum those vying for control converge and set in motion the worst road trip ever. While the set-up may sound formulaic, this book surprises you at every turn, not shying away from averting your expectations and chilling you with its stellar writing. The ending will blindside the dickens out of you.
I'm not much for crockpot recipes, but I'm all about Indian food. Shopping for spices before you make your first recipe out of this book is probably the most difficult part, and Singla walks you through that too! So if you're like me and you want something that tastes like you spent hours over the stove but still leaves you time to watch and rewatch Game of Thrones episodes, give this a go. Homemade Indian food doesn't have to be daunting.
For my next trick, I’ll convince you to read this book of horrible plagues. Why? Because it’s important to see what we’ve done in the past when faced with an extinction event. Wright spins a tale about the worst diseases mankind has battled into a read that is not only funny, but reassuring; each chapter ends with a wrap up and underscores that each plague contains a lesson to take with us should we face an epidemic in the future (we’re overdue, you know).
Cammie O’Reilly is a little girl growing up angry, living in an old apartment within a prison. She’s angry, in part, because she doesn’t have her mother. Through Cammie’s eyes, we watch her try to fix this by recruiting a variety of figures, willing and unwilling, into her life to fill the empty role. Spinelli manages to cover both the intricacies of mother-daughter relationships and those of tween and teen girl friendships with a prison and its occupants as its unforgettable backdrop. This one made me cry, twice in fact.
For a certain type of person, playing pretend can not only be intoxicating, but downright addictive. Rose Bowan is one such person. During a thunderstorm, she experiences a surreal, Being John Malkovich moment seeing life through the eyes of Harriet Smith, a woman she has never met. Chapters alternate from present and past, wherein we meet Ava, Rose’s little sister; Ava's present day absence hangs over the story like a (forgive me) thundercloud. Past melts into present and gives you just enough to keep you hungry, tearing through each chapter to find satiation.
Just after the Rwandan genocide had begun to lose momentum, Gourevitch began visiting and collecting stories from survivors, sometimes victims, sometimes perpetrators. With context, exposition, and hindsight, he wove them together; what sets this book apart, what makes it so haunting, is the telling of the story by witnesses. The extent, the scale of this unimaginable atrocity, is parsed out in these accounts with Gourevitch’s unmistakable voice supplying a commentary and occasional exposition, with bittersweet wit and unflinching, frank language.
Ward packs out a lot of pain into this deceptively short memoir. The chapters alternate between a retelling of her childhood and an elegy to the lives and premature deaths of young black men; her friends, her cohorts, her family, all are weighed down by the millstone of poverty and blackness in the South. With sensitivity and startling honesty, Ward revisits, with the clarity that comes with time, her turbulent childhood and memorializes four men that died too young. Hanging over the work is the feeling of déjà vu, or perhaps inevitability, all told in Ward’s rich, toothsome voice.
This short story collection is an impressive debut to say the least, reminiscent of Shirley Jackson's short stories. Introverts will identify with the delicate sense of remove in the narration, while everyone can appreciate the way Machado plays with old fairy tale conventions and reader expectations. Attempting to pick a favorite story in this collection feels impossible; while each story is touched with a similar, somewhat disquieting magical realism, each has its own charms, its own arresting images. You might find yourself reading and rereading this one.
With his impeccable attention to detail, Weir has fun with the physics, engineering, and chemical elements of the plot, building a moon base so convincing you'll start saving for your ticket to Artemis. His world-building is fleshed out by a cast that feels like a real, thriving community, organically grown and entangled. Jazz, the narrator, is a determined, reluctant genius and porter/small time smuggler. Through her smuggling, she gets drawn into an enterprise too good to be true and too good to turn down. It's good Jazz is so quick on her feet, because the plot unfolds quickly; Weir skillfully weaves the plot and science based exposition in Jazz's sometimes heartfelt, sometimes irreverent, narration. If you like your sci-fi smart, funny, and fast paced, you seriously can't skip this one.