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Published: Cleveland State University Poetry Center - September 10th, 2019
High-stakes writing that imagines an outside to empire while trapped inside its blinding glow. Attending to the connections between subjecthood and state terror, the text continually circles back on itself as if to put theories of fugitivity into practice via poetic form. (What the hell is form? is among the questions the collection ponders.) A riotous book that refuses available representational paradigms, never content to accept the conditions of appearance that colonizers take as the given reality.