An insider’s detailed chronicle of the inner workings of the contemporary art world.
The world of contemporary art has become more globalized and transparent in the last few decades, yet it is still perceived as closed-off and obscure. In A Year in the Art World, Matthew Israel takes the reader on a cross-continental journey through a year in the field of art, lifting the veil on a culture that emerges as diverse, adventurous, nuanced, and meaningful. From Los Angeles and New York to Paris and Hong Kong, Israel encounters artists, curators, critics, gallerists, and institutions, uncovering the working lives of these art-world figures from the renowned to the unseen.
Drawing on exclusive interviews and expertly researched content, Israel ventures into the inner workings of the art industry to ask: What is it that people in the art world actually do? What drives interest in working with art? How do artworks acquire value? And how has technology transformed today’s art world? Anchoring the narrative in the history, economics, and cultural dynamics of the field, this fascinating story reveals how “the art world” describes a realm that is both surprisingly vast and deeply interconnected.
About the Author
Matthew Israel is a curator, writer, and art historian with nearly twenty years of experience working with some of the most influential contemporary artists and art institutions. He currently lives and works in New York.
Israel, who has worked extensively in the business at various positions, is well-equipped to write an insider’s guide to ‘what’s often regarded as a niche, elitist industry.' Employing a journalistic approach [he] chronicles his discussions with people from all over the world for whom art is their livelihood.
A tell-all book by the curator and art historian Matthew Israel takes readers on a year-long ride through the art world, from the heady heights of auction houses and art advisors to the practical matters of studios and shipping...A Year in the Art World will give some indication at least of what life was like in the fast lane of the pre-coronavirus art circus.
— Garreth Harris