The chant of Azadi --Urdu for Freedom --is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.
Even as Arundhati Roy began to ask what lay between these two calls for Freedom--a chasm or a bridge?--the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.
In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.
The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.
The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.
About the Author
Arundhati Roy studied architecture in New Delhi, where she now lives. She is the author of the novels The God of Small Things, for which she received the 1997 Booker Prize, and The Ministry of Utmost Happiness. She has written several nonfiction books, including Field Notes on Democracy: Listening to Grasshoppers, Capitalism: A Ghost Story, Walking with the Comrades, Things That Can and Cannot Be Said (with John Cusack), and The End of Imagination. She is the recipient of the 2002 Lannan Cultural Freedom Prize.